atrocity exhibition ist der neueste höhepunkt in einer langen serie von highlights: im verlauf der letzten jahre hat danny brown mit vielen hochkarätigen künstlern von purity ring bis rustie, von schoolboy q via e-40 bis hin zu ghostaface killah gearbeitet. für den posse-track detroit vs. everybody tat er sich mit eminem, dej loaf, royce da 59, big sean und trick trick zusammen, und auch den legendären the avalanches lieh er für ihr comebackalbum dieses jahr seine stimme. da er auf atrocity exhibition kein blatt vor den mund nimmt und gewissermaßen die hochprozentige essenz seines kreativen ansatzes herausdestilliert, hat danny auch die wahl der gäste ganz genau darauf abgestimmt: ihren schlangenhaften gesang steuert kelela im fall des wahnsinnig finsteren from the ground bei, mit b-real von cypress hill ist ein alter hanf-fachmann für die tiefentspannte hook von get hi verantwortlich, und mit earl sweatshirt, kendrick lamar und ab-soul treten gleich drei junge hochkaräter für das ominös schillernde really doe zu ihm ans mikrofon, die er derzeit für die besten rapper hält, die es momentan gibt.

nice price deal !!! emg is back again on his own experiential learning imprint. -255- is a 6 tracks ep including old studio material and more recent sound explorations. following the lead of his previous releases on the label, -255- is an harmonious blend of elemental dance floor oriented tracks and more experimental, even abstract, studio investigations. 255 limited copies. handmade artwork.

he s not what you d call a prolific producer but the old saying of quality over quantity couldnt ring truer for marcellis. with just 3 releases in the last 12 years starting with a single on 2004, followed by an ep on workshop and then his album on millions of moments, any new work is highly anticipated. its been a long time coming for nonplus but every bit worth the wait. 3 tracks covering a range of styles from the ice cold analogue quirkiness of sleep, to the bumping 4/4 offering of indigo skyfold through to the jazzed out chugger can they do tha (g love real raw) its an honour to have marcellis as an addition to the catalogue.

oddball space disco tracks compiled from library tracks composed between 1975 and 1978. big tip!! from the early 70s to the mid-80s, this self-taught musician composed about twenty albums of production and library music with generic cover art and titles (out of the way, magical ring, keys of the future, pulsations, more and more, etc.) that evoke interstellar travel. these experimental discs, made with love, humility and rudimentary means, had no ambition other than to accompany other peoples images. by exhuming these obscurities from the dustbin of history, born bad have decided otherwise. archaeologists with an agenda, they seek to give jean pierre decerf the renown he deserves: that of an innovator whose rhythmic, synthetic compositions inspired the harbingers of the french touch (air comes to mind), not to mention some east coast rappers.

things are getting grim. the good guys and the bad are determined to settle their escalating dispute in the ring. after the bookies have taken their bets, the bad guys are taking the upper hand in the first few rounds. the nefarious comment about their beloved mother seems to have sparked uncontrollable rage in the pair. dont rule out the good guys just yet though, as they seem to be plotting something their opponents from the dark side wont see coming. for the second outing in the quartet series, french fry and parisian concrete resident s3a (sampling as a n art, faces) infuses the good guys with some positive energy.

this compilation should enrich everybody’s soul with a mix of something for everyone who likes or wants to explore the variety of early soul tracks which are finding new favour on today’s uk soul scene. from the lesser known tracks from big name artists like aretha franklin, otis redding, gladys knight and the drifters, to established hits from the valentinos, sam cooke, steve alaimo, chuck jackson and timi yuro.

ltd 5 lp box set
june 2016 sees freerange records celebrate 20 years at the top. the label, run by jamie ‘jimpster’ odell and tom roberts, is marking the occasion with the summer release of a carefully curated and lovingly assembled 20 track, five vinyl box set featuring exclusive new music from associates old and new, as well as with a worldwide events series. over the last two decades, generations of djs and dancers have gotten down to the freerange sound

keeping with the rough release rate of an album every couple of years, prime numbers label boss trus me is back with his fourth full length, planet 4. featuring nine cuts of intergalactic techno and once again marking a considerable sonic evolution for this acclaimed uk artist. never one to do the same trick twice, david james wolstencroft uses his latest album as a vehicle for his own interest in deep space, physics and dark matter. it is those subjects that have occupied his mind in recent years, and those subjects that inform this brilliantly otherworldly album. where previous lps have variously been funk and soul heavy, or openly analogue and physical, this one is a more subtle and supple techno affair that is as cerebral as it is seductive. starting with a monologue that suggests that man has already landed on mars, 1979 is a cut that immediately places you somewhere in orbit. spooky synths and sci-fi sounds are eerie and atmospheric and very much set a perfect tone. from there, there is slow, elastic and unsettling mood music on the unexplained , deep and insular techno on dark flow and trippy dan bell style minimalism on ring round heart . the second half of the lp touches on chunky dub, manic and melodic grooves. this is a coherent statement that holds together conceptually and musically. as well as providing plenty of dynamite for the more discerning dance floor, planet 4 is also a delightfully detailed affair that will work just as well on headphones late at night.

death waltz recording company is proud to exhume another classic from the hammer horror stable in the shape of “dracula a.d. 1972”. bringing the legend of bram stoker s immortal creation into then-present day, the film pits the charismatic count up against the disco decade after being resurrected by a group of hippies performing black magic, with cristopher lee and peter cushing reprising their signature roles. composing this madness was mike vickers, former member of 60’s pop quiet manfred mann, who provided a suitably contemporary score that followed in the footsteps of jazz scores from that era.

four raw club oriented tracks signed by js and andee under their moniker rk’s. recorded during two days jams session, the ep is a mix of electronic deep atmospheres, delightful synthesizers, filtered drums, dirty cuts and hypnotic grooves.

from france comes fabrizio rat with a 4-track ep constructed entirely from acoustic piano and drum machine. mr. rats unique sound design blew our ears away, particularly at a time when so much techno is more reliant on following a blueprint rather than trying to push the frontiers of what is possible, which to us was always the true raison dêtre of techno

tx connect steps up for lower parts 09! replacing memories is a pounding voyage into the unknown. pulsing acid and urgent fx ring out over drums that bang. not for the faint of heart, these four tracks propel the listener out of the cosmos and beyond.

mslwte, does the name ring a bell? james calls himself a techno experimentalist and he sure is! as a co-owner of subsekt, he sure knows how to turn those knobs. dirty, rough, experimental, twisted dark techno. you will love it.

nice price deal !!! gatefold cover, coloured vinyl. as you will hear: the short motif, as simple as it is, is ideal musical material.

originally released in 1986, brother resistances rapso take over blends calypso, reggae, disco, funk and poetry to create the artist’s signature rapso sound. tip!

over 10.000 years ago, after the last ice age, humans began to explore and settle the place now known as scotland. evidence of our ancestors can be found in the various rock carvings, standing stones, tombs and dwellings still scattered throughout the lands today. modern archaeological techniques can offer ever more detailed suggestions as to what these monuments might have meant, but it is still largely left to our imaginations to discern just what these spaces were used for.

young wonder deliver their debut album on feel good lost. 12 tracks of crystalline electronic pop for fans of purity ring,

oddball space disco tracks compiled from library tracks composed between 1975 and 1978. big tip!! from the early 70s to the mid-80s, this self-taught musician composed about twenty albums of production and library music with generic cover art and titles (out of the way, magical ring, keys of the future, pulsations, more and more, etc.) that evoke interstellar travel. these experimental discs, made with love, humility and rudimentary means, had no ambition other than to accompany other peoples images

that place is a musical journey through the artists emotional and inspirational landscape! the 2nd opus is welcoming mzkbx (macadam mambo, skylax, karat) who lives in lyon (fr) and who is resident at le sucre. he brings here a taste of his musical roots. the a1 is a beautiful intro into a spacy world, the 2nd on the a side is between house & techno with a chicago vibes, jackin! on the flip, carresses magnetiques is a track full of pressure, an industrial atmosphere for bringing you higher and higher ! to conclude, 51 pegasi is a nice journey between deep sensations and 80s synths. early and massive support from laurent garnier.

lauer returns from mascats orbit to new york citys beats in space records with a new two-tracker, hands & feet / stigma. since 2012s mascat ring down, lauer ditched city life for a quiet village outside of frankfurt. lauer embraced the space for his young family and settled his creative headquarters in a quaint attic studio. the new environments and housemate, a slumbering infant son, inspired these two songs to breathe a delicate and patient air. recorded during the first summer of his new domesticity, both tracks swell with echoed piano riffs buoyed by lauers dependably precise programming.
the vinyl ep includes a download code.

sebastian groth gets more and more popular in the recent years. with releases on labels such as italo business, naked lunch, tk-records or masters of disaster he gets so famous that he was nominated even in the german magazines partysan as newcomer 2013

nyc edit masters duane harriott and sean marquand are back on stilove4music with a massive follow up to their *feel so wrong* ep. *get to it* is a gritty record that feels like brooklyn on a hot summer day. disco, boogie and soul ring all the right bells for your thirsty dancefloor. get to it!

stunningly beautiful double-pack from och for autoreply music s 20th release. following on from output on renowned labels like pal sl, trelik, bass culture he returns to autoreply with seven tracks of playable perfection. by focusing on stripped-back percussive grooves, sparse 909 drum-programming and ultra fine-tuned dynamics he certainly proves with tracks -samarkand sulci- and -snarecrow- that the original jackin house/techno sound will always have plenty of life and soul. -don t fight it- is an 8.5 minute acid builder featuring haunting vocals and crisp synths whilst the bass driven dub of -enceladus- wouldn t be complete without live delays and distorted pianos. check out -morning glory- for a surprise contender for this years balearic soundtrack or -c ring- for ultimate warmth. tracks for every situation and not to be missed!

limited repress to 180 copies - 1 per customer!
hailing from somewhere in spain, mystic & quantum is a new label created to show stories of adventures, magic, science and they launch in quite auspicious fashion with an album length foray through analogue experimentation from one of englands finest dmx krew. one of numerous handles taken by edward upton, standing stones finds the dmx krew sound in particularly contemplative mood across a variety of tempos and can be viewed as an extension of the approach he took on last years reith tracks lp for rush hours no label. however whereas that release saw upton take inspiration from his surroundings on an austrian farm, standing stones draws its creative juices from the mysterious pillars of stone that have stood across western europe for centuries. the accompanying silk screened artwork - which is quite lovely - extends the theme. whether you engage conceptually or just focus on the music, this is another rewarding set from the master dmx krew!

the new pixies album as heavyweight 180 gram double vinyl in gatefold sleeve including cd.

played by nathaniel jay, clang83, jacques renault, waze & odyssey, new jack city, maverick..whilst previous editions in the vinyl only street tracks series from waze & odyssey have seen contributions from ejeca, citizen, ashworth and of course w&o themselves, this latest edition is credited simply to street tracks. hungry for more information? you could always ring the phone number that s been handstamped on each record... those who keep tabs on the series will be happy with the two tracks here which fall snugly into the no-nonsense upfront house style that waze & odyssey have been championing. across the board support on this one with everyone from mak & pasteman and moxie to richy ahmed and loco dice indulging

wow.. such release. very house. much vinyl! the wise meme-tainted words of doge ring out wide across the internet and now come stamped onto wax with this mysterious white label release, featuring analogue house cuts spanning chicago, detroit, new york... this be the fiyaaaah! limited run so don t sleep!

the debut release for atrophic society, home to label founder vohkinne, is the culmination of years of experimentation with different ideas and aliases. slithering and raking across heavy groundswells, centering around a whisper and a groan, chanting through the thud of drums and ritualistic rhythms, battery introduces us to vohkinnes vision. different from its origin, breeding an atmosphere of deliberate anxiety without fear or compromise, the veteran ben sims crafts a clenched fist,unrelenting in purpose. dark and urgent, both interpretations ring clear through the fog.

2x12 inch lp in gatefold sleeve, including cd-copy of the album.
a few years ago, a-trak got together with the pioneering house/garage producer armand van helden to form the playful dance duo duck sauce, and they quickly scored a vast international hit with *barbra streisand*. now, nearly four years after that song landed, they are finally ready to release *quack*, their giddy and engaging debut album, which features singles like *radio stereo*, *it s you*, and, yes, *barbra streisand*. the album is not a typical dance album but a whole lot of fun: quack pushes the boundaries of house music and sampling into an absurdly visual listening experience, interwoven with skits, scratching and irresistible loops.

the story behind this record begins in 2004 on newbury street in boston massachusetts. juice belushi founding member paul foley is dressed head to toe in 80s regalia, including vest, fingerless leather gloves, fedora and chain connecting nose-ring to ear pierce. its like a scene out of michael jacksons bad, minus the dancing. at his feet is a boom box blasting freestyle and 80s electro-funk, hes handing out mix cds. needless to say we were intrigued!

aesthetic circle records is an independant rouen-based label founded in 2009 and run by nimä skill. working on the deep side of techno & house music, we already released 27 ep and lp as digital download. round one is the first release on vinyl. a various artists, a first panorama of the aesthetic circle records back catalogue.

following his well received fabric mix comp in december 2013, ben sims returns to his own theory imprint with yet another ring release in the form of *reflection*, which features two original new tracks, a remix from rod and a vinyl exclusive. the eponymous opener is a strident, 909 + 707 driven affair that fuses overlapping, stereoscopic tones to a gently distorted and brutalist groove that sits somewhere between dance mania and detroit. *break glass* is the second original on offer and has been a heavily requested track for the past few months. the perfect partner to *reflection*, *break glass* is similarly overdriven but heavy on the sort of mechanical funk that sims does so well. rods version of *reflection* is a linear assault which ebbs and ows with purpose throughout a linear and intense arrangement while sims remix of *break glass* zeros in on bone rattling percussive aesthetics and vox samples, in much demand after featuring on his fabric mix cd.

daniel lopatin, sohn russicher us-einwanderer, hat sich als oneohtrix point never mit experimenteller elektronik einen namen als talentierter komponist erarbeitet. er veröffentlichte drei alben auf minilabels, arbeitete mit antony hegarty als sänger und mit animal collective als festivalhoster (atp) zusammen und schrieb neben brian reitzell die musik zu sofia coppolas jüngstem film *the bling ring*. lopatins musikalisches schaffen wird von kritikern mit einem zerbrochenem spiegel verglichen, in dem sich klänge aus der vergangenheit brechen. auch auf seinem warp-debüt *r plus seven* blinkt seine neigung zum experimentellen immer hervor, zeitgleich wagt er sich so nah wie nie zuvor an traditionelle songstrukturen heran, so dass die zehn neuen tracks zu gleichen teilen aufwühlerisch wie hypnotisch wirken.
doppel-vinyl im klappcover, downloadcode inklusive.

ace, full-on techno, frosty and dreadful. station is a ring-modulated grinder with slashing fx, krone ups the tempo, percussion, menace. reben is stomping, swinging, dubwise, die werke darker, unhinged, funked out.

the boss , on 3 x 12inch vinyl

reacquainted with his soul after the galactic battle with the gatekeeper of hades, edmx and his craft bulb into view from hyperdrive. emerging from an imperfect stasis, the pilot lay slumped over the controls of his ship. beneath the glaze of his vizor his eyes looked milky white, opaque cataracts had almost sealed them. the craft was being pulled slowly toward sigma orionis on invisible magnetic currents. flurries of dust danced around the pilots window like fireflies. in the far distance the horse head nebulae dwarfs the tiny craft with its mountainous cosmic majesty.

re-release des legendären dj koze albums * kosi comes around* von 2005 jetzt endlich auch auf vinyl!
- das original album (auf kompakt) ist seit geraumer zeit nicht mehr erhältlich gewesen!
- eine schöne tour durch minimal klicker, chicago & techhouse & ambient klängen!!
- 1a für floor & ohr ... dicke empfehlung

limited edition clear vinyl, cd version included.

nice price deal !!! redef partnered with blus new world color label to bring you the vinyl debut of divine scienze (mc: scienze, production: king i divine). limited to 600 units on deluxe half & half color vinyl in full color jacket.

moderat sind apparat (sascha ring) und modeselektor (gernot bronsert und sebastian szary). hier der bedächtige klangtüftler und pop-poet, dort die beiden techno-b-boys. beide acts stehen für die berliner elektronikszene jenseits der geraden bassdrum. modeselektor sind die großmeister der unterirdischen bässe und elektrisierenden breakbeats, apparat ist der feingeist der elektronischen popmusik...

moderat sind apparat (sascha ring) und modeselektor (gernot bronsert und sebastian szary). hier der bedächtige klangtüftler und pop-poet, dort die beiden techno-b-boys. beide acts stehen für die berliner elektronikszene jenseits der geraden bassdrum. modeselektor sind die großmeister der unterirdischen bässe und elektrisierenden breakbeats, apparat ist der feingeist der elektronischen popmusik. die verweigerung, sich mit dem vorhandenen abzufinden, schweißt die drei in einer künstlerfreundschaft zusammen. auf dem ersten album definierten sie 2008 den moderat-sound. wobbelnde bässe und zuckende beats auf der einen seite, apparats filigrane stimme auf der anderen: gerade der extreme kontrast erschuf das einzigartige moderat-gefühl. in den nächsten jahren wurden beide acts zu international bekannten künstlern. sie definierten mit bahnbrechenden alben den elektronischen sound der zeit. heute ist das spektrum emotional und stilistisch größer geworden. es gibt keine grundstimmung mehr. in elf tracks erzählen moderat ein facettenreiches und doch kompaktes epos. sie sind verführer und hooligans, grübler und partysäue. in ihrer welt sind partytaumel und tiefsinn kein gegensatz. sie lassen kein kapitel ihres elektronischen und ihres analogen lebens aus. im clash zeigen diese großen musikerpersönlichkeiten neue charakterliche facetten. so ist in dieser wiederbegegnung eines der großen alben der elektronischen popmusik entstanden.

after a year of waiting, here is the new, gorgeous, physic release from drummonds core artists. the path began with *letter a*, continues with this amazing release, made up of four tracks: *ego* by the drummers jewel man, electro jj is a warming up track, *fruits of the doom* and *missing ring* by kevin follet, fast & dark as his soul and, finally, *strange love* by marco novalis, hypnotic, a mental trip in his undiscovered brain. 200 vinyl copies, hand numbered by the artists, get your before it is too late...

the swiss techno veteran quenum sweetens our catalogue number 073. we are trying not to go like a bull at the gate with its cock ring on but yes… this one is about sex. the title track on a1 *zone erogene* is a soft voice that salaciously whispers into your ear, while *pornflake* on b1 will set your hormone bells to ringing. the artist, who has made a name for himself through numerous outstanding releases in the past, is not the only remarkable element of this record. upon you is introducing a new concept: vinyl only tracks- meaning that the a2 track of our release *intimate immensity* will only be available on vinyl.

a top shelf 2 tracker in his signature style: on a - glass-like, ring modulated tones are paired with a raw, punchy kick and liquid chords. on b - freaky, robotic & futuristic, bubbles & builds into a sonic journey for educated after-hours dancefloors.

raw house vibes on clone royal oak by rio padice and massimo di lena. absolute belter!! after six month its back in stock

this debut release is the first in a series of remix eps featuring up and coming scottish artists remixed by well e stablished and emerging local and international talents.

*** vinyl only release, no digital release***
after sides from matthew burton, seuil and albert schwartz, sammy dees ultrastretch label returns in 2013 with volkan akin. a regular presence at berlin institutions like club der visionäre, akin has been slowly rolling out his brand of prickly, spaced-out club tracks since the end of the last decade, both under his own name and as v for volkan. but if volkan akin has up until now been unfamiliar beyond germany, his ultrastretch debut, voltage, featuring an absolute beast of a ricardo villalobos remix, stands to turn more than a few heads in his direction. densely packed and intricately constructed, voltage is an extended groove you can get lost in. cymbals ring softly amidst whirrs of faintly melodic clicks, scratches and voices. but at the center of akins churning, percussive arrangement lies a warm and weighty kick sure to keep dancers pinned to the floor. like so many great perlon records, voltage can be taken as a deeply considered exercise in sound design or as a deadly club track simultaneously, with akins musical sophistication and knack for an inviting beat working hand-in-hand. the original mix spends over 11 minutes unraveling, but as you fall further into the swirl of akins interlocking rhythms, youre likely to stop counting. a shorter constant voltage mix evokes sunrise, pulling back the originals heft to reveal gorgeous pads and hints of organic rhythm. ricardo villalobos, sammys longtime label mate at perlon and a producer who likely needs no introduction, digs deeper into the thump at the heart of voltage on his acdc remix. focusing on the originals wisps of melody, villalobos turns in a warm, zoned-in remix that feels of a piece with the singular techno trips found on his recent lp dependent and happy

ab sofort ist das aktuelle apparat-album krieg und frieden (music for theatre) auch als schwarzes vinyl!
für sascha ring a.k.a. apparat ist klangforschung auch immer gefuehlserkundung. auf sieben alben und diversen maxis hat der in berlin lebende lockenschopf einen facettenreichen, emotionalen kosmos entwickelt. jetzt ist er mit dem soundtrack für tolstois theaterstueck >krieg und frieden<, welches fuer die ruhrfestspiele in recklinghausen von sebastian hartmann inszeniert wurde, zurueck!